an account of the growing relationalism of music and the visual arts and its consequence in foregrounding social relations in the situation of art. I develop my concept of the phonogetic space within which music happens and analyze at length my work IT'S NICE 2 MEAT U.

a deconstruction of the concept of absolute music to show that the musical experience is not a stable phenomena. I then introduce the concepts of the situated listener and world-relation to account for music's existing in a world that is always in relation to things outside music. I discuss some works of mine in this framework.